6 element in design that Sir Khai teach us is;
LINE
Lines enclose and contain the parts of a design by creating outlines. They can be smooth, rough, continuous, broken, thick or thin. Lines also send subliminal messages. A diagonal line, for example, has kinetic energy and movement, while a straight line is more ordered and clean.
Lines enclose and contain the parts of a design by creating outlines. They can be smooth, rough, continuous, broken, thick or thin. Lines also send subliminal messages. A diagonal line, for example, has kinetic energy and movement, while a straight line is more ordered and clean.
SHAPE
shape is any enclosed space defined by lines or in contrast to its surroundings. They can be geometric (squares, ellipses, triangles, etc) or organic (a speech bubble, a blob, those little spiky things that pop on the screen when Batman punches someone).
shape is any enclosed space defined by lines or in contrast to its surroundings. They can be geometric (squares, ellipses, triangles, etc) or organic (a speech bubble, a blob, those little spiky things that pop on the screen when Batman punches someone).
SIZE
literaly it is between small and big; it is very important to attractive the audience. Size can impliment by the fonts or even the shape.
literaly it is between small and big; it is very important to attractive the audience. Size can impliment by the fonts or even the shape.
COLOR
Color is incredibly important and should never be an afterthought. Even a design set entirely in grayscale needs to be balanced and contrasted appropriately, to hue (red versus blue), consider the saturation and brightness (or “value”) of each color. Learn the basics of color theory to be sure a composition has the right mood, temperature and tone
Color is incredibly important and should never be an afterthought. Even a design set entirely in grayscale needs to be balanced and contrasted appropriately, to hue (red versus blue), consider the saturation and brightness (or “value”) of each color. Learn the basics of color theory to be sure a composition has the right mood, temperature and tone
VALUE
Color contrasts are studied with a pair of colours, as opposed to color harmony, which studies a set of colours. In color contrasting, two colors with perceivable differences in aspects such as luminance, or saturation, are placed side by side to create contrast. Contrast is the juxtaposition of opposing elements (opposite colours on the colour wheel, or value light / dark, or direction – horizontal / vertical). Contrast allows us to emphasize or highlight key elements in your design.
Color contrasts are studied with a pair of colours, as opposed to color harmony, which studies a set of colours. In color contrasting, two colors with perceivable differences in aspects such as luminance, or saturation, are placed side by side to create contrast. Contrast is the juxtaposition of opposing elements (opposite colours on the colour wheel, or value light / dark, or direction – horizontal / vertical). Contrast allows us to emphasize or highlight key elements in your design.
TEXTURE
Texture is everywhere as we navigate the world around us by both sight and touch. While we can’t feel them on websites and printed pages, textures from the outside world can be brought into a composition to give it life. Want to imply softness, comfort, and coziness? There’s no quicker way than a cotton textile background.
Texture is everywhere as we navigate the world around us by both sight and touch. While we can’t feel them on websites and printed pages, textures from the outside world can be brought into a composition to give it life. Want to imply softness, comfort, and coziness? There’s no quicker way than a cotton textile background.
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